**UPDATE – February 12, 2018 – Thanks to everyone who has shared and commented on this letter. Please feel free to use, adapt, circulate. I am also open to feedback on how to improve/strengthen the wording. This letter was informed by ongoing conversations I’ve been having about artistic/academic labour with other cultural workers, so please check out the links to see some of the sources. There are lots of groups out there working on these issues already, and I’m pasting a list below that’s adapted from an earlier project. **
Thank you for thinking of me and extending the invitation to contribute to your project.
Perhaps you are already familiar with the ongoing conversations around precarious labour in both academic and artistic fields, but this is an issue that is very dear to my heart and I made a choice a while ago to not work for free. I’m a bit surprised that a ____________ focused on ______________ would be continuing to perpetuate the idea that working for ‘exposure’ is fair compensation.
Writing, research, editing, _______, ________, and administrating are all WORK. In Canada, we have an organization called CARFAC that sets minimum fees for any kind of artistic work, and in the U.S., W.A.G.E has been advocating for similar practices in museums and institutions there.
Those of us working in the field of _________________ are also affected by the pressures of economic precarity and the undervaluing of our work, whether working in academia, for institutions, or as independent producers. When we work for free, we perpetuate the idea that our labour is not ‘real work’ and reinforce the conditions where only those who can afford to work for free are able to continue. It should go without saying that these labour conditions disproportionately affectwomen, people of colour, Indigenous, and LGBTQ+ folks.
Perhaps these are issues that you might also consider addressing in your __________.
Best of luck with your project,
Precarious Workers Brigade
Should I Work For Free
Sarah Wookey’s letter
Broken City Lab
Who Pays Artists, Bad At Sports