Marisa Gallemit, Emily Hermant, Tong Zhou Lafrance, and Caroline Monnet
October 14 – November 26, 2022
Transpositions is the final in a three-part series of exhibitions that explore connections between textiles and technology. Building on the preceding exhibitions Interweavings and Remediations, the artists selected for Transpositions offer an expanded understanding of textile construction. Using non-traditional media such as wire, rubber, photographs, or insulation they transpose the technologies of weaving or braiding onto their chosen materials.
In genetics, ‘transposition’ refers to the transfer of a segment of DNA from one genomic site to another. In music, it refers to copying over a piece of music into a higher or lower key. The process of transferring sets of information inherently contains the potential for variations, glitches and the creation of new meanings. Works by artists Marisa Gallemit, Emily Hermant, Tong Zhou Lafrance, and Caroline Monnet activate this potential through processes of transformation and reconfiguration. Here, the knowledge of specific textile processes and aesthetics are brought into dialogue with materials that contain their own cultural and historical significance.
Just as weaving and braiding can be considered forms of technology, in these artists’ hands, the unique properties of each material shape the way that the manipulation of various ‘threads’ take form. Materials always bring with them their own historical baggage, speaking to legacies of (mis)use, networks of circulation, and the transmission of geographically and culturally situated knowledge. Together, these works reflect and expand upon traditional categories of craft, skill, and making by transposing new meanings onto everyday materials and contexts.
Image: Emily Hermant, Way Broken Twill (from the series Fragments From A Larger Whole), 2019. Collected and stripped telecommunications cables on canvas. Image courtesy of the artist.